This post is about four months in the making. It has been an on-again, off-again thought process. I suppose, in a way, it's an adult lifetime in the making, but it has mostly been a process taking place since my last birthday, mid-April. It was a big birthday as birthday numbers go. The ultimate motivation to begin writing about it early Friday (Aug.14th) morning came from an odd source. I was reading news and saw a photograph of a 44-year-old man. I wasn't at all focused on the story; I was focused on the photograph and thought, this dude is ONLY 44?! That had me reflect back on when I was 44, and that, in turn, had me reflect on when I was 53. 53 because I posted an image of myself at 53 in this post from July 25th, along side a photo of me, wearing the same cycling jersey, taken that day, 17 years later. 53, that image seemed like yesterday. The calendar says nearly two decades have passed, but from the inside looking out, I had the realization that I haven't vanished into the background—I've simply collected a lot more life along the way. Aging gets a bad rap, but there’s a quiet strength in realizing my mind and spirit are just as vibrant now as they were then. Aches and pains aside.
![]() |
| Time, a "big ball of wibbly-wobbly.... timey-wimey.... stuff..." |
The point is, I've been thinking about the sudden realization of aging and how the brain naturally blocks thoughts of decline to protect us from existential anxiety. Catching your reflection unexpectedly and seeing your parents' features instead of your own. Noticing that minor injuries or workouts require days of recovery instead of hours (my right wrist still suffers from this incident, April 26th). Realizing that I have no idea who 98% of the people on talk shows are. Then there has also been a shifting of the narrative. Framing aging as a privilege denied to many, rather than a loss of value. Addressing functional fitness by shifting workout goals from aesthetics to maintaining mobility, balance, and bone density. Being proactive about health by addressing minor aches early through physical therapy and nutrition instead of ignoring them. And finally, leaning into the emotional resilience, boundaries, and self-knowledge that only time provides.
And then there was the acclaimed Doctor Who episode "Blink," Series 3, Episode 10 of the modern revival series (beginning in 2005). It first aired on June 9, 2007, and was written by Steven Moffat. I have been partial to science fiction for most of my life. Thanks in part to the books my sister left behind when she left for college and a few I may have borrowed beforehand. For example...
![]() |
| The Sirens of Titan, by Kurt Vonnegut, remains one of my all time favorite books. Douglas Adams, the most fun I’ve ever had reading. |
I watched Blink again about a week ago. Blink is a masterclass in sci-fi television. Steven Moffat's writing is superb. It was at least the fourth time I have watched it. What really struck me differently this time was how a sci-fi monster turns out to be a precise, visceral metaphor for the quiet reality of aging. Revisiting the episode became a way of naming the experience. The warning, "Don't even blink," isn't really about keeping your eyes open; it's a recognition of how fast the years close the distance when you aren't looking, leaving you standing in the present wondering how you arrived here so quickly.
SPOILER ALERT: If you haven't seen Blink and think you might want to, I recommend you stop reading this and watch it. The easiest way to do so is to follow this link to YouTube and pay $1.99 to own the episode on your YouTube account. That's it, a one time purchase, standard definition (typically DVD quality). The episode is about 44 minutes long.
Or you can buy the entire Season 3 on DVD, here on Amazon for $9.99. I'll assume there's also a Blu-ray edition. I bought the DVD set a few years ago.
Now for the spoilers... you've been warned.
In Steven Moffat’s classic Doctor Who episode “Blink,” the Weeping Angels are portrayed as the ultimate, albeit paradoxical, predators. Unlike traditional killers, they don’t kill their victims; instead, they consume their potential. By transporting their victims into the distant past, the Angels force them to live out the rest of their natural lives in another era, effectively stealing their present and future. Initially presented as a terrifying sci-fi premise, the warning to “don’t even blink” serves as a poignant metaphor for the accelerating, non-linear nature of growing old.
![]() |
| The first Weeping Angel as seen by the story's protagonist, Sally Sparrow. |
![]() |
| Sally Sparrow, an aspiring photographer, approaches the property known as Wester Drumlins, a derelict London mansion, the hiding place of four Weeping Angels. |
The central rule governing the Angels encapsulates the subjective experience of time in one’s later years. In youth, time appears vast and endless, but as the decades accumulate, it seems to compress. Years slip by in a blink of an eye. The true horror of the Angels lies not in a violent end, but in the sudden realization that time has vanished. One moment, you are immersed in the vitality of youth, and the next, you are decades away from where you began, gazing back at a life that sped by faster than you could comprehend.
![]() |
| An unobserved Weeping Angel begins to move. |
This experience is deepened by the physical speed of the Angels themselves. Observed they are statues, unable to move, but when unobserved, they move with near-instantaneous velocity. In the quarter-second it takes to complete a single blink, an Angel can cover the room. We often speak of aging as a slow, gradual march, but the lived, psychological experience feels much more like an Angel attack. a sequence of sudden, jarring jumps. You go along for years feeling relatively unchanged until a sudden diagnosis, a loss, a glance in the mirror, or the quiet realization of a lost decade brings age abruptly into focus. Aging seems to stay still while you watch it closely, only to leap forward the moment your attention wanders.
![]() |
| "They are fast, faster than you could believe. Don't turn your back, don't look away, and don't blink." |
The closer an Angel gets, the shorter the distance it has to cover, making each subsequent blink exponentially more perilous. This phenomenon mirrors the psychological reality of time accelerating as we age. When evaluating the Weeping Angels as an allegory for aging, the detail of their actual physical speed deepens the metaphor significantly. Adding this layer of physical mechanics to the analysis reveals how the speed of the Angels reflects the true nature of growing old. A single year represents a significant portion of a child’s existence, yet it feels like a mere fraction of an older person’s life. Yet there's another element to this and it's something you have some control over. This video from the Veritasium channel on YouTube, hosted and created by Derek Muller, a Canadian-Australian physicist, filmmaker, and science communicator, goes over this in greater depth. Briefly, it begins by addressing the common proportional theory (where a year is 1/5 of a 5-year-old’s life vs. 1/50 of a 50-year-old’s). The video points out a major flaw with that model: if human brains actually calculated time that way, a person would feel as though they had already lived half of their entire life by age six.
If you live to 80, doubling your age happens only about 6 times in your entire life (1 --> 2 --> 4 --> 8 --> 16 --> 32 --> 64). Because those early doublings happen across such tiny calendar spans (1 to 2, 2 to 4, 4 to 8), the proportional model mathematically front-loads half of all your "subjective life experience" into early childhood before you even finish elementary school.
Instead, the video presents several biological and psychological factors that better explain why time feels faster as we get older. As people age, the rate at which neurons fire decreases. When an internal clock slows down, external time feels like it is moving faster by comparison. In an experiment on Venice Beach, older adults consistently overestimated when a minute had passed (often guessing around 1:02 to nearly 2:00), whereas younger people were much closer to real time. Subjective duration correlates strongly with how much energy the brain uses to process information. Young children experience almost everything as novel, requiring significant mental energy—around age five, the brain consumes fully 66% of a child's resting energy intake. As adults face fewer novel experiences and more repetition, the brain spends less energy processing everyday events, making time seem to pass faster. When people are deeply focused or fully immersed in an activity they pay less attention to the passage of time, making moments feel much shorter as they happen. The real culprit behind time’s acceleration isn’t just simple arithmetic; it’s memory density and novelty.
![]() |
| Sally exclaims to Kathy that an Angel has moved since she first saw it the night before. |
![]() |
| Kathy Nightingale, moments before she is taken by a Weeping Angel. |
Back to Blink. Early in the episode, the character Kathy Nightingale, a friend of Sally Sparrow, blinks, is touched by a Weeping Angel and is transported back to 1920, where her life takes an unexpected turn. Instead of ending, it is redirected, allowing her to live a fulfilling and complete life. She raises a family and passes away at a grand old age. However, to the story’s protagonist, Sally Sparrow in the present, Kathy vanished without a trace. This stark contrast mirrors the profound grief of aging; the shrinking horizon of future possibilities and the gradual replacement of ambition with the pursuit of memory. Moments later, a letter is delivered to Sally Sparrow by Kathy’s grandson. It's dated February 7, 1987. Kathy wrote the letter shortly before her death in 1987, instructing her family to deliver it to Sally at Wester Drumlins on that exact day and time in 2007 when Kathy was touched. Just as Kathy’s letter from decades ago shifted the focus from building a future to documenting and reflecting on the past, the process of aging does the same for Sally.
![]() |
| Kathy Nightingale in one of the photos contained in the letter from 1987. |
Blink evokes a profound sense of reflection on memory and time. Sci-fi at its best gives us a surreal mirror for very real human experiences, and the idea that time stays frozen only while we are watching it closely—only to leap forward the moment our attention wanders—is a remarkably fitting metaphor for how we navigate our own pasts.
Even the frozen nature of the Angels—quantum-locked statues when seen—provides a compelling image of how society often treats the elderly. As people age, they frequently report feeling invisible to younger generations, frozen in place like monuments to a bygone era. Younger people look right through them, much like the characters initially glance past the stone statues in the overgrown garden of Wester Drumlins. Aging transforms individuals from active, moving participants in the current narrative into static observers of a world moving past them.
A significant part of the storyline revolves around the Doctor’s conversation with Sally Sparrow, facilitated by an “Easter egg” discovered on not only one but seventeen DVDs. Notably, these DVDs happen to be the sole possession of Larry Nightingale (Kathy’s brother). To fully comprehend the temporal trap, one must refer to the renowned explanation provided by the Doctor to Sally Sparrow through the DVD’s “Easter egg” transcripts. The Doctor challenges the human perception of time, asserting that it is not a rigid progression of cause to effect, but rather a complex, non-linear tapestry—a “big ball of wibbly-wobbly, timey-wimey stuff.” In our youth, we tend to view our lives linearly, constructing an orderly timeline of cause and effect. However, as we age, our memory ceases to operate chronologically. A vivid moment from forty years ago can feel as immediate as yesterday afternoon, while entire years blur into a featureless haze. In our minds, we never truly feel like a single age; we remain a collection of every age we have ever been, existing simultaneously within a constantly changing frame.
The DVD Easter egg, a scene where Sally holds half a conversation in 2007 with a transcript of the Doctor speaking from 1969, mirrors the internal dialogue of getting older. As we age, we find ourselves conversing with our past choices, reflecting on old decisions and realizing that our younger selves unknowingly set up the conditions for our present. This realization underscores the fact that while we live in the present, the echoes of our past selves constantly broadcast from the past.
This non-linear reality is precisely why the Angels are so formidable. By transporting someone back in time, an Angel disrupts the linear flow of time for a creature accustomed to it. For a human, being unexpectedly displaced into another era creates a profound sense of temporal dislocation—a feeling many experience in their later years when they encounter a modern world that feels alien, wondering how they arrived so quickly.
Ultimately, the Weeping Angels are not mere alien monsters; they are manifestations of time itself. They embody entropy, nostalgia, and the irreversible march of years. By combining the idea of living one’s life in the past with the split-second speed of a predator and the non-linear nature of temporal physics, Moffat encapsulated the ultimate paradox of aging; it unfolds gradually over a lifetime, yet when we look back, it feels like an instant.
The Weeping Angels take time away from people, but sitting inside that "wibbly-wobbly" ball of time isn't a loss—it's accumulation. You aren't just letting time pass; you're building a life inside of it. Youth has the illusion of endless time, but it also carries the heavy baggage of figuring out who you are, constantly proving yourself, and worrying about the road ahead. What the calendar takes in raw years, it pays back in clarity, self-worth, and perspective. One needs to take time to realize the value of your body and mind. making time for beautiful things and intellectual pursuits. By living life with the inquisitiveness of a child your mind stays sharp through curiosity-driven learning and creative work, and your body stays capable because you honor it and keep it moving. That’s the real antidote to feeling like time is slipping away; you’re actively engaging with it. Time may move in a blink, but we aren't helpless bystanders. We get to decide what we fill those blinks with.
If you ignored me about watching the Blink episode but you'd like to see the DVD "Easter egg” portion for kicks, here it is...
And if you have Time for a song, well, here you go...
The photograph of me with my son, I was 38 years 2 months and 17 days old, or 458 months and 17 days, or 1,993 weeks and 6 days, or 13,957 calendar days old.
Photo credit: Jeff Kober.
Image credit: BBC / Doctor Who ('Blink').





























































